Jim Jarmusch: "But I think the masterpiece that took the last few years in American cinema is really Twin Peaks: The Return. Eighteen hours of incomprehensible T.V. It wasn’t easy for him, and, by the way, no one will finance David Lynch’s feature films — so, what the fuck, I don’t get it. That...

Blatant and very uninspired troll routine. But to indulge the subject - as I have seen others commenting similar things when that particular BTS clips goes viral on Film Twitter or reddit - it would be pretty abnormal for any director to not visibly exert his stresses through anger/frustration etc g...

Alfonso Cuaron

https://www.indiewire.com/2018/11/alfon ... QuzGaqkdic

So Mark Frost in this new Vimeo interview says it was his idea that S3 had to "get out of the town" and explore the new places (Vegas, South Dakota, etc), away from the "sleepy little hamlet". Wonder how that will go down with the Lynch-is the-antichrist narrative on here, desper...

Paul Thomas Anderson loves it!

https://twitter.com/Phantom_Thread/stat ... 2302817280

There's a hilariously long review of TPTR in the Daily Telegraph which reads as a desperate luvvie attempt to justify not just liking the series, but calling it a 'masterpiece.' It's got barely any comments on it and you'll have to search for it, because clearly no one's bothered to read it. And th...

Creepiest scene BY FAR was the close of Episode 17 with Sarah/Judy and those noises just before she smashes the photo. It's just Lynch at his absolute best. The whole construction of the scene - the extended wait to actually see what's going on/where the sound is coming from (all while fixated on a ...

I'd have to imagine we'll get some sort of Missing Pieces equivalent, especially now that Showtime has a piece of the pie and wants to recoup their investment. By adding that to the DVD (yeah, I'm old school)/BluRay release, they will guarantee themselves more potential buys. (Although I DO wonder ...

I've watched Parts 17 + 18 four times now and I just cannot believe how brilliant they are. Without wanting to sound melodramatic (and failing!), I really can't face watching anything else anytime in the foreseeable future - I don't think anything in the world can come close to that. I'm still so wr...

I attempted to read some of the main thread, but I can only take so much of this being called "the most incredible 2 hours of television ever" before it sets off my gag reflex. Look, I'm not an idiot. I realize it's all subjective. It's just that I have a tough time understanding all the ...

I've been listening to Julee Cruise's songs all morning now, starting with "Floating into the Night" and will then go into "The Voice of Love". You know, Julee is right. The played ZZ Top (which I do like) without them even being there, they played Lissie (sp?), and that freakin...

Does anyone remember when Laura Dern was doing the promo stuff for the new show and she gave away how she had some "beautiful" dialogue with Kyle about the robins? What happened to that? That was the magazine misconstruing her talking about Blue Velvet. Oh, thanks. I thought it sounded li...

Does anyone remember when Laura Dern was doing the promo stuff for the new show and she gave away how she had some "beautiful" dialogue with Kyle about the robins? What happened to that?

I'll be honest: I expected robins and light and for the fog to lift on the gloom. Everything pointed towards that (it's The Return, after all!!). What we got I think is one of Lynch's greatest masterstroke gutpunches: evil is irreparable, there is no heaven for everyone. "What year is it?"...

Episode 18 felt like an entirely different entity. Pretty much the closest to a post Inland Empire wilderness era David Lynch feature film you can imagine. It is frustrating (although knowingly so, and I don't mind that0, but it's also so, so deeply haunting. I feel akin to the way I did when I saw ...