Yeah, it's fun as a thought experiment to try to imagine what these hypothetical seasons would look like. I remember a long time ago having an idea of what a 1992 Season 3 might be like... I think evil Cooper would have spent the whole season doing nasty things, but just under the radar enough to av...

This is something I used to have a lot of thoughts about, but having seen the real Season 3 it's hard for me to picture what the 1992 Season 3 would've looked like, let alone any sort of continuation of the series last through the 90's. Assuming we would've gotten 7 or so seasons of the original ser...

Cooper is also making a bit of a hand gesture similar to the way he opens the red curtains in episode 2. Not really sure what to make of that either, but maybe Cooper thinks that bringing Laura home somehow frees him finally from all this Red Room stuff. (EDIT: Maybe Cooper thinks this is where to s...

I'm inclined not to think of the S3 ending as a cliffhanger, even though that was my initial first impression. I will say though, I have no clue why Cooper utters "what year is this?". That's the thing that makes me keep thinking it might be a cliffhanger, but at the same time, it might wr...

I feel like maybe Laura Palmer's story arc is finished, and Cooper's is too for the most part. I don't want to create another rambling post musing on the meaning of the ending of Season 3, but in the event that there is no story left for Laura and Agent Cooper, then perhaps Lynch/Frost could go the ...

Wasn't there something filmed with the Giant/Fireman in the Red Room for Season 3? In some of the behind the scenes clips it looks like they are doing a scene with him. Someone suggested that Lynch had filmed Carel Struycken delivering the lines spoken by the Arm, I guess as a back-up in case the Ar...

I always found it interesting that the (second) most overtly insidious character in Season 1 (Hank Jennings) was the only character in the whole show that had an air tight alibi for the night of Laura's murder, and therefor couldn't be a suspect. (Leo is the most insidious character: beating his wif...

Also, I'm going to be alone on this one (probably) but something else I'd be down for would be Showtime launching a new season (or seasons) and Lynch being in control of the first episode or "pilot" and filming that, then taking a back seat as an executive, with Mark Frost or others takin...

Mark Frost re-tweeted something strange about New Mexico:



Episode 8 was the first thing that came to mind, but driving a set speed along a desert road to achieve some... result just made me think of Cooper and Diane driving from day into night in episode 18.

I'd imagine that Showtime's parent company would love to use a new season of Twin Peaks to boost the prestige of the CBS All Access app. That thing is just Star Trek and a whole bunch of disposable sitcoms from the last 15 years... Perhaps Lynch/Frost want to end Twin Peaks on a high note, as oppose...

The talk about Cooper looking for the best in everyone reminds me of Bobby's recollection of something Laura said to Dr. Jacoby in the Season 1 ep. "Cooper's Dreams": "...people tried to be good, but they were really sick and rotten, her most of all. And every time she tried to make t...

I think this is very interesting and I meant to reference it in my previous post. That scene of Dougie's homecoming can seem somewhat incongruous but also fits extremely well for me for a number of reasons that make it perhaps one of the most mysterious moments in the entire series. First, there is...

I think C) or B) fit best for how I see it. Its amazing how its open for interpretation. Nice topic cappy. Thanks. I was always sort of vexed by Leland's doppelganger from the original finale. Leland in the original series is treated as a case of possession, and FWWM treats him as just a horrible h...

There were a few poor judgement calls from Cooper, Truman & Sternwood in the Roadhouse too. Leo Johnson declared not fit to stand trial & allowed to return home - tries to kill Shelly a few days later. Leland bailed - kills Maddy almost immediately. At least Cooper & Truman never seem t...

I think Between Two Worlds gives us a clue as to Lynch’s mindset, re: Leland during the period he was scripting TP:TR. In BTW, Leland—even after twenty-five years in the afterlife—is in complete denial about his own culpability, insisting that it was someone else who carried out those acts (which w...