Postby RStandfest » Sun Jul 13, 2008 1:49 pm
I would say that Michel Chion's book is by far the most poetic and beautifully written. It is a very heartfelt response by someone who fully immersed himself in "Lynchland." What I love about it, is that it is a book that keeps giving to the reader, as Lynch's films do to the viewer. Rather than just a presentation of the usual, dry pieces of information, and canned quotes, it is a very organic work with roots that reach deep into what makes a thing art; it works from the inside out, rather than staying on the surface. It is also one of the most quotable books on Lynch and his work, with some wonderful passages that settle into the deepest, most abstract recesses of what I would consider the essence of all things "Lynchian." One such passage is when Chion quotes a French critic whose response to Eraserhead is that he would like to fashion a coffin out of the scenes of the film, as if they were wood, and spend his final days moving from scene to scene as a termite. I should note that I was rather disappointed by Chion's revised edition, as he seems to rush through Lost Highway, Straight Story and Mulholland Drive, without any of the carefully paced, detailed and deliberate prose employed in the previous chapters. The new chapter feels like a tacked-on bit. I also recommend Chion's wonderful book on sound in film, Audio-Vision, as well as his book of poetic musings on the films of Jacques Tati. These are books that should and could be of interest to an audience not mutually exclusive to film studies, but to those curious individuals interested in literary excursions into art in a much larger sense. A wonderful writer, that M. Chion...
Cheers,