That's sweet. I guess Max Perlich's character is also typifying an underyling culture of <insert-what-ever-springs-to-your-mind> that Lynch & Frost so brilliantly captures with such elegant subtlety?Metamorphia wrote:You don't think they typify an underlying culture of ignorance/violence/hatred prevalent in America (and the world) today? They're only unconnected to the plot if you're totally incapable of reading anything vaguely thematic into what you're watching.Rialto wrote:With the demise of Chantal and Hutch, I'm left wondering - has Lynch been waiting since 1994 to let us know he's not that keen on Tarantino?
Honestly, what was the point of these two except to carry out acts of pointless violence, bitch about fast food, then get dispatched in an over the top shower of bullets as a result of a banal road rage altercation, unconnected to the main plot (such as it is).
This really is Lynch's Love Actually - a rag bag of incomplete ideas stitched together under a nominally unifying banner.
It is either that or the three mentioned characters are if not unconnected then completely pointless to the plot. Which in itself is pointless.