Dreamy Audrey, it was a very interesting post (referring to the long one earlier on). Although it is indeed a very important remark that too much 'expecting' kills seeing the final result as it really is, still the name "Twin Peaks" (yes, not "Las Vegas" or "Buckhorn") obviously should mean something. It is also a fact that the false advertising is responsible for awaking people's expectations and then not living up to them.
And basically as to what you wrote one could apply my latest Dougie catchphrase:
... cut out all the extra characters ... .
Like:
Dreamy Audrey wrote:I liked Constance, for example, but now she hasn't appeared for a couple of episode and I almost forgot she existed.
I'm afraid I already forgot who she was. Was it one of the names that appeared only in the credits or have I forgotten something altogether?
One of the worst things is Freddie Sykes. He had no real introduction, we just got a glance at him in Part 2, and suddenly he reappears in Part 14 with this apparently important storyline.
Who is Freddy Sykes? (remember I haven't seen Pt 14 but I take it he had a part before?)
the junkie woman who always calls "119". Her scenes seemed very unconnected to the rest of the story and I didn't like them at all, but I thought there might be a pay-off because she appeared a few times as if to remind us of her presence. Then - nothing. She hasn't appeared for a long time, will we even see her again or were we just supposed to wonder about her in vain? And even if she reappears, what is the point of this character? I'm sure whatever story there is, it could have been set up in a more interesting way.
... more interesting way ...
Yeah but as for Dougie I will disagree - you said most of his scenes were for laughs only they weren't funny. Well I don't think they were for laughs. Whether they're funny or not is a different matter. But as a, say, Dougie-fan I don't watch these scenes for fun. They make me interested because they convey a very peculiar way of perceiving the world, which is not
my way but which I find very appealing. People say: Tati, I would say more of: Forest Gump, but I have never found that the main asset of Forrest was 'funniness'. Yes, his character was funny at times but it meant much more to me. Dougie doesn't come close to Forest in my book, nevertheless I think it'sa similar case.
... similar case ...
One more thing about Diane. It is often said (in the critics' lore) that she has been ruined as a character because she was meant to be ever unseen. I'm thinking about it.
Well, clearly - yes. But clearly in the old Peaks. Showing her in the old Peaks or even in FWWM would be a grand mistake.
Not so sure about here. Now I don't mean the sentimental approach, which I myself took, that it was just a big WOW that we'll finally see the legendary Diane. Sentiments on the side I still think it might be a winning idea to introduce Diane and one which does not interefere with the original "not meant to be seen" thing. At least that's a possibility I am considering
It's a completely different thing whether it was done in a good way or not. In my opinion the introduction of the character was really perfect: Albert's "I know where she drinks" is one of the very best moments of Return and the actual scene where she drinks, the "Gene Kelly" scene
was great, too - later it was not so great anymore. But that's a matter of opinion. I am now wondering whether the point of introducing the character was by definition flawed or not. And I don't really see that it had to be flawed. Probably because I view Twin Peaks Twin Peaks and Twin Peaks The Return as two really very different things...
And you say:
Her inclusion is also something that has an effect on re-watching the old series because it is hard to block out this Diane whenever Cooper is recording his tapes for her
At least for me I suppose it won't make a problem. In the old series it's not about Diane, it's always about Cooper. Even if the face and haircut of Laura Dern opens up in my mind when Coop records for her, I don't expect it should spoil the impression which is so essential to Cooper's character.