Quote:
In the March ’97 issue of American Cinematographer, Deming spoke of Lynch’s affection for many layers of darkness in images and said that on Lost Highway, the director wanted to go as dark as possible, with a specific interest in browns, yellows and reds. Deming noted Lynch’s love of darkness was the picture’s biggest challenge: “I know what David likes; if he had it his way, everything would be a little underexposed and murky, which is murder for me,” the cinematographer said. The result of Deming’s creative effort gives Lost Highway an incredibly diverse and rich visual texture that is one of the film’s biggest assets. Lynch and Deming’s successful collaboration continued with commercials and the 2001 feature Mulholland Dr.
American Cinematographer DVD Playback